STATEMENT

Since returning to fine art photography my interests have been in exploring new methods to challenge the medium while constructing a visual voice. Using photography as a starting point, my practice skirts the boundaries of the documentary, the imaginary and the poetic by creating alternative universes and narratives related to identity and memory. I revisit historical technical aspects of photography as well as technology and new ways of image-making, often mixing a lens based practice with other practices in which I can make use of my hands. I attempt to process thoughts and things that occur inside and outside of me in a continual movement between the past, present and possible future. Error, anti-aesthetics and the lack of visual information are resources present in my work both for symbolic production and for constructing new visual possibilities.